My husband is a New Yorker whose theatergoing parents always planned their theater outings well in advance. He’s adopted this same long-range planning attitude, and that’s how we ended up with tickets to “the Harry Potter play” this past September. In a fit of jet-lag , he’d bought tickets the previous November during an airport layover en route to Abu Dhabi.
Using our airline miles, we flew to London in September, during the Eid holidays, to see Harry Potter and the Cursed Child. We took our children, of course, which meant that it wasn’t a vacation but a family trip. Although you might want to think that these are synonyms, they’re really not. If you’re on vacation, you’re never forced to whisper-yell at someone to put down his phone and pay attention when he’s going through security, or explain (for the umpteenth time) that we didn’t fly all the way to London just to hang out in the Jack Wills store.
Those of you with small children or infants might think that traveling with older children looks easy. Their gear tends to be smaller and there’s that whole “go to the bathroom on their own” thing, which is pretty great. But with a small child, there is always the chance that she will fall asleep in her stroller, a cracker crushed in her pudgy fist, and then you can proceed to stroll in the park, or walk through a gallery without much whinging. Older children whinge; they have opinions and needs.
Other people’s children whinge, that is. My family travels in an entirely whinge-free zone. No whinging here, nope, nothing to see here, move along.
Wrapped in our whinge-free bubble, we went off to the play, about which I can say nothing. I’m pretty much sworn to secrecy about the play’s magic, other than to say that all the effects were accomplished through stagecraft. There weren’t any digital effects or computer-aided sorcery, which in this day and age is rather a marvel, all by itself. The plot was… well, you may have already read the book (which is the script of the play), so you know the plot. It’s the standard Rowling combination of magic and family, with the emphasis on family.
There is one key plot point that sets the play apart: Harry Potter is forty. He works for the Ministry of Magic and has discovered, as so many of us do, that life as an adult isn’t as much fun as we thought it would be. Harry longs to continue dashing around in an invisibility cloak, but there are reports to write and files to go through—all the joys of adult work. He’s chafing a bit, is our Harry. Ron even jokes that Harry’s scar aches not because of any Voldemort-related reason but because of middle age. Everything aches a bit these days, he points out.
When the play starts, Harry and his family are standing on platform 9 ¾, and Harry’s elder sons, James and Albus, are bickering so violently that Harry whisper-yells at them to “behave!” Can I tell you how heartening it is to see that even Harry Potter’s children misbehave in public?
At its heart, the Harry Potter series is about a child wondering about his parents. The play flips the tables: now it’s a parent wondering about his children. Harry’s son Albus feels the weight of being the son of “the boy who lived” and, as is the case with most teenagers, Albus doesn’t always handle his feelings gracefully. Of course, as is the case with most parents, Harry doesn’t always handle his feelings gracefully, either.
In an effort to keep Albus safe, Harry imposes more and more rules, which have precisely the opposite effect. As I watched Harry struggle with Albus, I winced in recognition. Lately it seems that in my efforts to connect with my almost sixteen-year old son, I inevitably say the wrong thing at the wrong time and before you know it, one of us is yelling. (And of course, the fault is always mine. My son makes that abundantly clear.)
Harry’s questions remind me of my own: how do I keep my teenager safe and, at the same time, let him grow and develop in his own way, even if that means letting him take risks and (occasionally) be really quite an idiot? When my children were toddlers, I wished someone would invent a kind of bubble wrap suit that I could wrap around them to prevent bruising, and now that my children are older, I wish there were emotional bubble wrap that would prevent the inevitable heartache that comes with growing up. If only Jack Wills made such a thing.
As Harry and Albus slowly find their way back to one another after the emotional battles that wound them both, they learn to accept one another’s imperfections. The lesson of the Harry Potter play highlights the fact that we don’t need to be perfect to be loved—and therein lies the real magic.
This is an original post to World Moms Blog by Deborah Quinn, Mannahattamamma of the UAE. Photo credit to the author.